est. 2008–26 © coded by hand in bristol, uk
Designer’s personal site. The presentation is intentionally minimal: restrained colour, no decoration, no animation. Typography and whitespace do all the work. Every stylistic addition has to justify itself.
The brand personality is authoritative yet approachable. It evokes the clean layouts of traditional print editorial work combined with modern web interactivity.
Palette is intentionally sparse to honour the written word and maximise accessibility. Black text on off-white background. Occasional colour accents in links and images.
Links use black text with underline, and colour to indicate the interaction state. The design relies on typography and spacing for aesthetic beauty.
Georgia for everything you read — body, headings, prose. Matthew Carter designed it in 1996 for screens, not print. Large x-heights, open counters, built for pixels. 24px at 1.6 line height. It’s a system font, so it loads instantly.
Anonymous Pro for everything that’s a label — code, timestamps, metadata, navigation. 12px at 1.6 line height. Signals “this is supplementary.” The size contrast creates hierarchy without needing colour or weight.
At wide layouts:
Single column. 680px max-width. No grids, no sidebars. 680px gives roughly 65–75 characters per line — the comfortable range for reading. Sections are separated by whitespace, not dividers. Mobile-first, fluid responsive design. On smaller screens, margins shrink proportionally and elements stack vertically.
This is a flat design aesthetic. Visual depth is rejected in favour of site rendering performance and avoid aesthetic noise. Hierarchy is established through scale, grouping, and typographic contrast.
Sharp edges and no rounded corners.
Do write evergreen content — articles should age well